نشریه مطالعات ادبی متون اسلامی
پیاپی 12 (زمستان 1397)

The Holy Qur'an, as the last book of the heavens, is from a variety of aspects of miracles. Since the Quran, in the period was revealed that knowledge of "rhetorical and literary" among Arabs that time, a special place allocated to it, it can be claimed, the miracle of the Qur'an from the angle of "rhetoric" He had a great role in introducing this book. All Quran is a miracle, each of its surahs and verses, and even the vocabulary and the way in which they are chosen and arranged among the verses, is an illustration of a kind of beauty in the Qur'an. The overall picture of Surah Qamar, the end of "deniers" in several stage shows, in which the array of eloquence as "actors" order of songs is very detailed chapter as a "soundtrack", a drama artist of the The Quran Surah, which is more than "warning" and "alert" to the deniers, is shown to the audience.

The sign-semantics is one of the new topics in literary criticism that has many uses in analyzing various types of texts as well as understanding how to produce and receive meaning. Nowadays, semiotics-semantics embraces domains beyond classical and constructivist semiotics. One of these domains is the narrative forms of discourse that appear in the form of discursive systems, in which signs are reminiscent of signs, and from common signs and clichés enter into ordinary signs and light. In this article, using the analytical-descriptive method, the components of the Prophet Moses (a) and Pharaoh have been studied. This story is due to the nature of narrative discourse, containing numerous and value-driven actions, and in this regard it is worth considering the sign-semantics of governing systems. In this research, the desirable hegemony of the Prophets, namely the communion and promotion of the righteousness and unity of God, is shown by means of sign-semantics. In this essay, various types of discourse systems such as system of action, emotional system and tension system, concepts of concept processing, message transmission and communication with the audience were evaluated in the story. It was shown how the Prophet, using discourse systems, explains the legitimacy of God and Rescues his people and heks the discourse of monotheism.

The formalism is a new method of criticism based on texts’ form.it means that formalism seeks to study literacy level of a text. From a formal viewpoint, it is well noticed that author seeks to apply tone and music to inspirit meanings and help his/her addressee (reader) to understand and learn. Meanwhile, he/she takes another step beyond the word’s meaning and makes creative influences on the subject understanding by appropriate using of long tones and vocals corresponding to text. In phonetic congruence, components and vowels are arranged in a way that they inspire intense wording and a heavy climate. Meaning congruency is considered and unity of congruent words induce intended meanings such that those unfamiliar with the language will understand it generally. On the other hand, author has considered not only congruency of vocal but also form aspects words. Although they complement each other, their unity is very important. All of these indicate that Sermon of Jihad have a strong musical construction and its vocal congruency to inspire meanings and concepts has been successful. Form beauty of words relate them closely. Meaning have no influence on the text appearance, but it mix words’ form and tone to communicate their meaning.

The immediate issue and the emergence of Qa'im al-Muhammad (peace be upon him), peace be upon him, are among the most fundamental and dynamic religious, religious and political issues of the day. As it can be said, the effective discourse of Mahdism and its modern approach in the present era are the only way for man to escape isolation and self-esteem. The proud role of Hazrat Mahdi (as) as a follower of Ahlul Bayt (as) in committed literature has long been the focus of many poets' attention in the field of Shia literature. His immense mission in retaliation for the enemies of the right front, the leadership of the Islamic Ummah during the time of absence, and the establishment of the utopian government by taking away from his religious discourse and Quranic criticism has made him a personless personality in history. It also manifests itself in the crystallization of this spiritual sense in the presence of the more lively classical poets. Mehdi Ghanah Al-Kazemi is one of the hundreds of poets who tried to beautifully portray his artistic art of Ahlul-Bayt (AS), especially Mahdi (aj), the only man who is the world of humanity who is behind the scenes of absence. His poems With the name of the Prophet Muhammad (AS). Therefore, this study, by studying descriptive-analytic, explores those poems that have been implicitly expressed in it.

Abolqasem Ali ibn Ishaq bin Khalaf Qatan Baghdadi was famous for Zahi, a Shiite poet and fourth century leader who lived in Karkh neighborhood in Rabih. Zahi was in the forefront of the poetry of the poetry and constantly struggled with the enemies of the Ahlul Bayt (AS), as far as he was considered among the poets of the Mujahideen. The technical texts of the poems, the likeness of Hassan, the beauty of his ideas and descriptions, and the smoothness of his lyric poems, have made the dictatorship to praise and define it. In this article, we tried to investigate and analyze the literary elements of Divan Zahi: element of emotion, fantasy, style and thought in order to find out how much the poet in his poetry expresses his style and style Literary interest, and how he was able to defend them by using these elements and mentioning the most important events of the Imams (AS) in his poetry. His poetic style is the style of the old poets and is a poet of the emblem, but it goes without saying that he enjoyed a pleasant, skillful and mastery of poetic techniques. In addition, Zahi's poetic depictions and images reflect the power of his deep-seated emotions.